kazak sees swaab return to wrong state, presenting one of his most direct and intense workouts to date, following recent releases on voltaire music, push-push, jesus was black and recovery tech. grunting bass drives along one of his typically stomping grooves, metallic atonal synths giving the track an icy cool. subtle dashes of infectious percussion increase the tracks energy, with a big atmospheric break allowing some hypnotic fx to take centre stage. it is a heady, dark ride that carries a lot of weight without ever overbearing.

now nighttripper records is born! the first is from the us native scott scheferman it is a cold stomper with jerky sounds and stomping distorted 909 kick. on a pleasant bpm still playable in any techno set. watch out for this guy! on the remix we have robert armani who delivers a minimal but ruthless effort for the big room and will please the hardcore fans on the b side orlando strikes back as the nighttripper with some funky mayhem!

damian lazarus and the ancient moons entered our orbit earlier in the summer with the stomping and mystically brilliant *lovers eyes (mohe pi ki najariya)*. now the highly anticipated remix package is upon us - featuring a souped up re-edit from man of the year dixon that and a driving remix from swiss/spanish underground star mendo.

mike parkerss unique album lustration is a extremely good base for killer remixes. after the amazing original tracks, well known and respected remixers like svreca, edit select, and cassegrain have designed three complete new lustrations and providing a complete dedicated attitude to the rhythmic, full of stomping and gyrating patterns of mikes album. we call it deepest ritual techno for the mind.

having emerged from a crop of disco flavoured releases and vocal led remixes a couple of years ago, ashley casselle and asadinho decided to embark upon creating a series of stripped down housey techno dj tools to be used as experimental moments within their own podcasts and dj sets. this degree of honesty, and a desire to hark back to the roots of the music that drew them together in the first place, resulted in the sublime and bouncy *ceefox*. grainy 70s b-movie strings atop an addictive bassline equals a subtle yet huge club moment wherever it is played. we here at murge decided to entice these charming deejays to put out this deep and groovesome tune with us. two remixes come courtesy of new kingpin on the block jordan peak, who takes things into a more stomping club arena, and the beautifully glictchy ambience of julien miers headphone friendly interpretation.

stomping dj tool techno!maan is the dance imperative incarnation for high-end tool techno. early support from ben klock, dvs1, rodhad and adam beyer amongst others

stomping drum & bass

stomping, industrial leaning, excellent techno 12 inch (coloured vinyl pressing)

ultraphat stomping dubstep infected techno... prime time

sacred geometry, complex polyrhythms and clean sound design all collide in the work of manchester outfit, akkord. with their critically acclaimed, self-titled debut album charting high in 2014s end of year lists, akkord are not resting on their success, and are already planning their next assault with this new body of work. hth020 consists of four tracks of much darker, moodier sounds, pairing monumental low-end frequencies with surgically precise production. the whole ep is centred around clammy, ominous atmospheres, underpinned by stomping beats and descending basslines, placing greater emphasis on the space in-between, and textured over with a doomsday ambience. the music that akkord create never strays out of their own minimalistic and direct approach to techno, but from there, and beyond, they touch on an ever-evolving variety of styles, which gradually drive us in front of an overwhelming and riveting soundscape. hth020 comes pressed on 180g grey vinyl, cut and mastered by matt colton at alchemy, with de-bossed artwork and a postcard insert.

familiar friends of the label, french duo jules & moss return to tiefschwarzs ever-reliable souvenir imprint with another stomping two-tracker designed for those late nights and early mornings. situated at the very centre of a musical centrifuge, french duo jules & moss find themselves drawing upon an array of different influences spanning rock, jazz, classical but landing somewhere firmly rooted in the electronic spectrum.

unreleased tracks by the chicago master ...
ron maney also known as dj skull lived in the southside of chicago (il, usa). his musical career started during the summer of 1986, while recovering from a broken bone. during the following years he homed his craft, djing first at basement parties, building his reputation to go on to larger events such as, loft and hotel parties, and eventually the infamous music box and power plant clubs. at the age of fifteen ron shopped his first demo at trax records. there he first met chicago s legendary dj ron hardy, working as a&r for trax records. two years, and a new alias later (dj skull) later while at the power plant, chicago s own steve poindexter heard a dj playing one of rons tracks, and met ron. steve was now a&r at saber records and invited ron to release some tracks. so in october of 1991 dj skull s first record -n.r.g. music- was released. in 1993, he released the ep -the stomping grounds- on djax-up-beats, which was more noted than the first one. over the years that followed dj skull released lots of ep s on several labels. he has become well-respected producer and dj in the techno industry

its fairly safe to say that jay bliss is on fire at the moment. now he takes time out from his recently launched stomping grounds imprint to follow up on his 2013 appearance with och on the remix ep. here the warm, punchy 9 minute a-side creates a highly seductive floor-tension. flip the disc over for two modern takes on minimalism, possibly paying homage to studio one or basic channel with persistent rhythms, undertones of original dub, shaken and stirred with plenty off bliss magic.

stomping detroit infected mono techno

this is the first release of the low awaited sampling as an art label. owned by parisian house artist s3a, the four tracks of this ep are merging the 4 aims of the concrete parties resident: dynamism, musicality, groove and aliveness. after several years of active productions on labels as phonogramme, hold youth, 4lux, concrete music, local talk and faces records, s3a decided to make is own structure to promote his vision of music and produce the artists he loves. lets welcome this truly ethical label!! >looping strings< and >seekin sunshine< are two feet stomping anthems, with massive sampled themes. >the first year< and > the 4th <are more musical and emotional beautiful productions. this ep is very personal and is released to last decades!

the next mysterious release of the voitax series. tape driven techno excursions with a stomping industrial and droning touch. an edition of 50 records come with a hand-numbered photographic darkroom fine art print to reveal the unknown.

lobster theremins white label series is inaugurated by the labels formidable golden boy palms trax. rising from the vintage grooves of his equation ep, this time round palms is on much more raucous form. whether it be the hyper-resonated darkness of forever, the hammer-stomping raw jam or summer electro tip lost control. galcher lustwerk on the remix too. this is serious stuff!

argentinian dj and producer, ernesto ferreyra, provided cadenza with a rich and inspirational album back in 2010, the intricate and balanced el paraiso de las tortugas was a masterclass in minimal electronic dance. four years on, and ernesto returns to lucianos label with the insight single, and a precursor to another album for the label, slated for october release. voltage poem displays a huge progression for ernesto, a stomping, elastic backbeat, peppered with live percussion, shakers and micro glitches dances around the mechanical funk of the bassline.

rsvd kicks off with this blue knife ep by its main korova. blow out track reflects the full mentality of the label and comes with a thrilling tension stepping aside a bursting obscure dark progression and sinister heavy beats. alien blood is and ufo-like deadly bassline invasion drawing a dark strong hurting texture. deep waters original mix is a playful floor-killer techno jacking track. tsunami rocking upon and over the surface. its iys remix is fine rich and dry both mental dark stomping and odd hard hitting one: simple unique. a new excellent proof for the italian duo made by fusaroli and filardo.

the legendary tony rohr graces phobiq with his presence and offers two tracks alongside his new partner-in-crime layton giordani. the ep starts out with the sparse arrangement of -careless suggestions-, driven by a locomotive bassline and grinding rhythm section. moody stabs reinforce the bleak vibe, and the vocals coming at us from otherworldly black holes only add to the mood. label boss sasha carassi steps up for the remix in his trademarked stomping style, making use of hypnotic elements and the busy claps from the original. industrial-sounding hi-hat action drives his interpretation all the way home, after an apocalyptic breakdown, of course. on -reggae shiz- things are more stripped-down with bare drums holding everything together, as the rest of the arsenal slowly builds around menacing chords and a rocksteady groove. behind the spotlight, liquid bass comes together with quirky percussion to complete this almost-10-minute-long opus. dema maintains a sublime, shadowy mood in his version but opts for busier hats and heavier usage of chords.

the launch of this russian imprint in fine style, with two intricate, beautiful, house groovers. a journey in four variations, chemin tracks through hills and valleys with striking vision and fullness, propulsive yet restrained. premature takes a slower, deeper approach, packing its energy into a stomping bassline, whilst subtle melodies and relentless, bubbling sound course through, beaching us in a place both sinister and tranquil.

lphs unpredictable sister label, lph white, is back with another juicy 12inch, one that marks the imprints first foray into japanese clubland. atsushi yano, a kobe based producer, serves up three, as the title indicates, chewy tunes, all doused with african rhythms and set ablaze with fidgety keys, chopped­up vocals, and groovy bass lines. filling the release out is jacques renaults no­nonsense, squared­up, lead­footed remix of stomping on the verge.

in the not so distant past, a certain chicago house sound found its way to clubs worldwide. a jacking house sound made up of anything producers could get there hands on. if you had a cool alarm sound, you could throw it under a 909 and watch dancers freak out. dj rafaels new ep for on the prowl is a nod to that era. while hes not using an alarm as his tool, youll notice the in your face style in which its based upon. some of you might know rafael from his earlier miracles club releases for cutters and mexican summer. this time around rafael fauria joins friend brian foote for some on the edge jack tracks which are both packed with acid and foot stomping percussion.

after a knock-out disc for jay simons must have records, seven davis jnr steps into the apron fold with four foot-stomping party cuts.

limited to 200 copies! bad mums are back following up ford fosters distinctly stomping ghetto ep with tx connect. jacking and with plenty of acid fiyyyaaahhh this is some serious heat right here!

audio stimulation recordings proudly presents the labels third 12inch release. the austrian technoheads strikes again with their new single. it is already their third on audio stimulation recordings and definitely no end in sight. wall hall is a powerful and stomping floorkiller accompanied by dark analog synth s and cracking percussion. the dub mix is based on an analog baseline and followed by a fresh mellow. audio injection aka truncate shows us his pumping l.a. style combined with juicy elements. straight and hard to the bone is the version from niereich that is definitely forcing you to jump on the dancefloor.

after a mad summer full of crazy gigs all over europe we are back for the long awaited release on slapfunk records again

as 2013 draws to a close, sylphes very own holdie gawn & micawber are delivering their first release for 2014, sylphe 05. taking shape in the familiar split format, the sylphe duo is delivering their most daring work to date. a side features >thron<, an acid influenced deep groover which expands over 11 minutes and builds up slowly with stomping sub-bass notes, combined with smooth sonic textures: a fine blend of new and old school influenced with a modern approach. on the flip, >f7< sounds a lot like an ongoing computation process. riding along edgy electronic soundscapes and a heavy kick & bass combination, it evolves evolving gradually into an experimental jam, packed up with shuffled glitches and rhythms. one copy per customer

third 12 inch of the wiener dog wonder series. 4 dope edits/remixes from chi-town: do me like is a floor stomping update on a long lost boogie gem while deep space takes a classic flips it into orbit and rinses it with toxic space dust plus 2 tugboat classics. hand stamped & numbered.

old school deep house, grooves and worship of the 909. stomping stuff from delooped!

here we have our second slice of plastic, this time three tracks with two original cuts from labels boss kike pravda and a stomping oscar mulero remix. oscar mulero revises amplitude, more uplifting, with a totally different perspective plus a little bit of acid.

eintakt 29 >rauhv01< vinyl, including 2 exclusive remixes of nvelopes successful first full length >chords & scapes<, also part of the 3 track ep is the original song >tribute< by nvelope. nvelope presents his tribute version on a1, a track as simple as classic as good as you know what im talking about.longtime label fellow gunnar hemmerling (also man behind dock records) kicks off on the a2 with a quite reduced stomper (and as >stomping ground< is the tracks name he does good so). proper ancient techno vibes, enslaving the circuitry and drumming on the real heavy barrels. rob strobe and kai randy michel aka say what introduce themselves on eintakt on full b-side with a soupy submarine machine and you might dont know what to say (but the project name says say what) and i say get lost there then (and you probably will). the rauhv series are an upcoming collection of unreleased remixes of different rauhphaser releases

the californian has a cccp and a couple of the very best lies, but this stomping, grisly, suspenseful, four-track assassinator tops the lot. you get plenty more prep and purpose, and a load more killing.

you just love you heavies up the vibe with a stomping slice of expertly crafted filter disco. a tried and tested formula of course, but in the hands of a master like recloose, the result is a fresh, floor filling anthem chock full of peaktime energy.

b-stock! cover with seam split and bent corner. longstanding zoo artist lee pennington presents his first solo ep on the label. comes with romping, stomping berghain esque remix by spencer parker. already the most forward thinking music project ever to hit the island of ibiza, channel zoo was initially an event offering a variety of cutting edge new sounds, provided by the unrivaled underground house and techno record labels of the future. with rapid development from ibiza into hosting channel zoo events at the most prominent clubs in europe featuring only the best artists it was only a matter of time before a serious imprint was established. channel zoo recordings will showcase and push future artists that are keeping music real and fresh without any hype or marketing gimmicks. expect to see and hear a gathering of devoted producers and artists as channel zoo recordings is predicted to make a real impact in electronic music ...keep locked on!

parisian label mlh are pleased to present the first vinyl release with four tracks by the ny legends the dat project and the groove victim.based in paris, mlh brings real house music tracks based on raw rhythms, infectious stabs and hard hitting grooves, written somewhere between chicago, new york, london, berlin and paris. the sounds of house compilations are intended to be a simple contribution to the history of a relatively young musical scene but whose culture is already full of true legends. this time, the major league house have chosen two new york underground house scene activists to appear on its first vinyl. a-side signals the return of the legendary dat project, better known as william rosario. with 25 years of experience, numerous aliases and more than 350 releases in notorious imprint as nervous records, strictly rhythm, umm, next moov traxx… william rosario is considered as a pioneer of the dance scene. the dat project tracks come with the genuine old school deep house vibe from a producer who was there at the beginning. the release features 2 of his oldschools classics especially remixed and remastered, including the 92s hit >let the rythym move you<.on the b-side, mlh present two stomping tracks by the mysterious jay brown. under his groove victim alias,he brings us some deep dopeness coupled with swinging beats and atmospheric synth melodies. after several great releases as the wanderings ep, foul tracks ep, the chosen tracks ep…on imprints as cyberjamz and my love is underground, the groove will definitely grab your attention with these two hard grooving tracks...

ace, full-on techno, frosty and dreadful. station is a ring-modulated grinder with slashing fx, krone ups the tempo, percussion, menace. reben is stomping, swinging, dubwise, die werke darker, unhinged, funked out.

the production renaissance of rhythm plate continues apace with the third release on their pressed for time label which revisits one of the peak district duos earliest releases. originally issued on the crucial uk house imprint diy discs back in the halcyon days of the late nineties, the masters at wirksworth ep helped establish the rhythm plate sound. clever programming and a deep stomping vibe permeated all four tracks and this is still the case some fourteen years on. as the cunningly re-titled ep suggests, the two original tracks have been newly remastered and are accompanied by two brand spanking new mixes by matt rhythm and ant plate ... so theres now no reason to pay l106 on discogs for the original ep!

early support from martyn, michael mayer, dj hell, ame, deetron..(locked groove rmx) talbot wood was featured on a various artists ep on other heights earlier this year, but this is his debut ep with a stomping locked groove rmx

it is hot in berlin and we are ready to release our annual summer compilation deep love 3. stomping house music as we love it

a four-track ep, bemired and evil-eyed, but with room for arnaldo to breathe out and flex a little after his spooked, sparked contribution to blank slate 001. the opener is a dubwise bubbler, with spaced-out keys, free woodblocks, shuffling hi-hats and elastic 303 bass. atmosphere breached is more jazzy and messed-up, running funky organ through sizzling fx, syncopated handclaps and filtered groans. the flip is dancefloor-trained. our pick of the bunch, verano is in a dark, hissing, aqueous world of its own, chugging and stomping, with relentless tambourines, crunchy filtered tribal drums and detuned horns. heads down to close: lost voices and a 909 kick, chattering hi- hats and rattling percussion administer the licks.

dj w!ld is back, this time on crosstown offshoot rebellion with a stomping summer anthem featuring cari golden on vocals shape u. the original fuses the solid punch of a club weapon with the laidback feel of poolside disco, while the fur coat remake gives the track an entirely different sheen all chugging disco bass-line, dark synths and pitched down vocals. an aptly named wilder remix and dub from the producer ties up an unmissable ep

effective, hard stomping, noisy droning techno ep

echocord colour025 is produced by a good friend and a new artist on echocord colour, lasse buhl from copenhagen. after some years in the techno scene as one half of the group northern structures, who releases on adama x label sonic groove, lasse buhl releases his debut ep r38 on echocord colour, inspired by roughness and simplicity. the remix comes from no other than milton bradley from berlin. the r38 track ia a driving, stomping, dry killer techno track, while em.a ai is a more experimantal breaky track, with dubby elements. the remix is a pure 4/4 techno track, a typical milton bradley peaktime production.
pressing on pink coloured & marbled vinyl.

austrian techno shooting-star niereich and french producer flex team up and deliver this stomping beast of an ep including huge remixes by stigmata and audio injection. highly recommended - coming as special collectors edition on limited white vinyl!

debut ep from one of houses best kept secrets: kask! dont let the newcomer status leave you doubting, kasks sound is timeless: the entire ep is a soulful blend of stomping beats and synth manipulations! thick bass lines and jazz chords hover over beats without being shy of experimentation! were sure youll be keeping up with kask after this release!

877 records join with longtime friends and collaborators to present the well rounded rebel alliance ep. klic and riskotheque lead the way with their track compton, a bass heavy anthem already rocking the clubs and doing damage on radio. stomping 808&#8242,,,,,s, sing along vocals and acid arpeggios join perfectly to form this instant classic. donga & blake more than do justice to the original with the compton give a dam jam remix. a perfect example of their sublimely considered approach, the reworking is an altogether deeper four to the floor roller using only finely selected elements from the original. well rounded in the house! next up is skeleton grin by donga & blake + richta. this original composition features vocals by donga over an intense and metallic techno-esque bass and kick. we are true believers in the power of a b-side and this is no exception.

our leader unveils yet another facet of his production arsenal, this time turning a housey cheek, courtesy of sa ensual, yet chopped-to-bits vocal. the jacking rhythm section skips along in pure style, keeping the tight bassline in check while frantic edits help i need you to fully unfold. stefano noferini nods to the old school in this double outing, and furios blasts out with a nostalgic bassline and intense beeping action over a crackling rhythm section. the title track goes for more heady territory with a hypnotizing vocal seeping in and out of the cracks, while the trademarked noferini groove keeps the bubbling subs in check. the undisputed groove don, dj pp, graces 1605 with revolver amo & navas beef things up even more with their crunchy rhythm section, and opt for a dubbier vibe with their trademarked stomping groove and spacious, low-end percussive magic. dj fronter leads us into another bouncy ride with the percussion-led cntrl and next taking the lead and rolling out into action

few people stand for a real underground approach to techno like adam x does. for over 20 years he has been right in the center of the scene. before moving to berlin he ran the sonic groove record shop in nyc for 15 years. the sonic groove label also owned by adam is still a dominating force in the scene and has released music of legends like abe duque, blake baxter, frankie bones, kevin saunderson and many more. with djing, producing music adam in recent years has received a lot of support from people like chris liebing and many others for his productions as adam x as well as for his aliases traversable wormhole, admx-71.adam’s sound is dark and heavily influenced by his passion for industrial and old school ebm music. with coercive persuasion on the a-side he combines these influences with a functionality that can only derive from his extensive touring as a dj and live act. it is a dark anthem that will destroy all real techno floors. no doubt. the b-side deprogramming sequence comes along with driving bells that give the stomping beat of the track a little uplift and therewith balances out the heavy dark side of the ep.